conforce is a dutch artist wellknown for his previous productions on rush hour and curle, influenced by the sound of detroit definitly. modelisme welcomes him for a first project named cccp ep

it was only a short time ago when these 2 young up and comers made their respective debuts on our label and in the few months between then and now, they have gone on to skyrocket up through the ranks, conquering dancefloors, charts and dj crates-while becoming household names synonymous with quality and consistency.
florian kruse and nils nürnberg need very little introduction these days but for those that have been asleep or living under a rock, a good start would be to check their recent output on fine labels such as nrk, om, moodmusic, dessous and our very own dieb, to name a very select few. their first combined effort on the label has resulted in the >suerte ep<, a tight collection of deep as hell, tech infused house numbers heavily characterized by their attention to groove and addictive, seductive chord progressions that have become a hallmark of their production prowess.
to add some spice to an already sterling and stylized package, we have enlisted our good friend (and also mood music alumnus) alexander maier, to remix the titular >suerte< where he adds his considerable musical vocabulary to the proceedings, peppering a very tasty arrangement with piano chord stabs and throbbing basslines resulting in a gorgeous, summery house re-interpretation that has to be heard to be believed!
as if this werent enough, fresh from an impressive debut on nils and florians save room records we have been lucky enough to secure a percussion led, funk infused remix of >achieving balance< from bright new boys on the block io who round things off nicely and add another dimension to the >suerte ep<.

producing and releasing techno since 2002 it was xpansuls release on richie hawtins plus 8 imprint (in collaboration with alexi delano) that shot him onto the world techno stage. since then releases on ovum, soma and synewave have helped his stature grow even more. after a well received remix of percs >trapjaw< xpansul now drops his first full release on perc trax, comprising three pristinely produced slices of techno and tech-house covering a number of bases.

by rene breitbarths >atmotrax ep<, the second vinyl release is carried out on his own imprint deep data. the first floor filler >peace< grooves skillfully with catchy vocals on a dry beat till its soulful conclusion towards the end with charm and pressure. total relaxation is achieved by >loop<, however without forgetting the obligatory groovyness - a good opener or as well appropriate while making love. simply beautiful. this releases vinyl bonus track is provided by falko brocksiepers remix of renes track >dynamo<. the man hereby delivers the peak time hit of this ep – straight forward minimal house. >airy< puts the finishing touch to this ep. last but not least this piece comes with a cracking portion of soul and shines with its arrangement and linearity. yet again without loosing focus to the dancefloor. all in all a sure thing which keeps deep data slipping into the record cases.

played by len faki, joris voorn, secret cinema, housemeister , funk d void, steve rachmad... alexander kowalski is back! after more than a year of not bringing out any new releases and leaving the >different< label, the first 12inch is now to appear on his own label >damage music berlin<, dmb for short. >the heat of the night< clearly takes the former kanzleramt flagship back to its original deep sound. this energy-laden dub-techno number is sure to make the dancers hearts beat faster, and to make them sweat - in the heat of the night... >its been a long way< is a typical pushy kowalski techno track that dares the tightrope walk between rolling basses and melancholic soundscapes. as for >dont judge me (just because i like the rave)<, the name says it all! this track is one of the smashers in the current kowalski live sets and has already taken apart a number of clubs in the process. alexander kowalski decided to found a label of his own primarily to release his own tracks that he has either tried and tested as part of his live sets or fresh ideas straight from his studio. in time, he also wants to provide a platform for other artists to publish their music. time to damage!

great all time classic track from blake baxter ... our luv ... this unique acidic house was released first in 1997 on disko b (the h-factor, album) , than pokerflats steve bug licensed this one for his sublabel >raw elements<, (various - da minimal funk 2, raw626). eleven years later (heavy demanded) blakes classic strikes back on decks classix ! a special tip for those who knows!!

currently madskillz is in favor with his releases on the highly rated tech-house labels such as 100% pure, area remote and now also bitten. on this first bitten release, madskillz supplies us with two perfect dancefloor smashers, a double a-sider!

kasper bjoerke, one of copenhagens most renowned producers and djs, announces his second long player exclusively on hfn music! standing on top of utopia will drop in february 2010, and young again is the first single to be released in anticipation of what is sure to be a momentous album.

endless flight proudly announce japanese super duo force of natures kza first solo release. this 12inch is a first single cut from his debut solo album! kza have released 3 album and many single,remix as force of nature and they became one of the best artist in the nu disco scene. kza is a one of the most popular dj in japan and well known as one of biggest vinyl collecter. this time,he teamed up with kuniyuki aka koss as a production partner and this single was made with many obscure old records. a side,on & on & on is a b boy style uplifting chicago house. playfull for the peaktime! b side, kza show his most favorite slow cosmic style. if you love force of nature, you definetly have to check this kza solo release!!

heiko laux and berlin based jazz musician teo schulte are offshore funk and this is their first release, made in 2003 for kanzleramt.

one-sided 12inch limited to 500 copies, mastered by dubplates and mastering, night jewel has been brewing in andy stotts laboratory for the last year, a real peak-time killer. info: >night jewel< is the first one-sided twelve on modern love for over a year and is andy stotts biggest club track since the release of his overnight sellout >hostile< 12 inch back in 2009. revolving around reverberating chords reminiscent of move d at his deadliest, its a track that just builds into a heaving mass of feelgood vibes, honed and primed for the floor.

london based masters of the groove berkson & what are back on pokerflat with another sublime excursion into deep flowing hypnotic and modern house music. the pairs infamous live show has taken them far and wide, delivering their detailed and unparalleled electronics from berlin to miami and back... now their story continues with the >ghosts ep<. the extended, jacking trip that is >ghosts< is a strong grooving reduced house track in the purest sense of the phrase. tough, tight chicago style beats flare and snap as a melancholic and mysterious synth motif dances around the funk-meets-dub bass sequence. all manner of ethereal spoken word passages, uplifting vocal meanderings and cuts are then intertwined in a complex ambiguous narrative that fills the room with the ghosts of house and soul music gone by... understated, uncompromising and super functional! next up the boys lay down a tribal house groover, full of thick keys, richly embellished drums and spiritual vibes a-plenty. no doubt first jammed out during one of their long studio sessions, the live feel and flowing arrangement opens up beautifully with soft key flourishes and tender vocal hooks.

foog is a new project of japanese veteran house music producer yukihiro fukutomi. yukihiro released the new single on mule musiq (cover of marshall jeffersons >open our eyes<!) under the own name few month ago, it was played by michael mayer, cassy. foog have already released two album in japan (only) and some of the track have been supported by carl craig, loco dice and name a few. this foog new single is a first single cut from the upcoming new album which will be released in feb or march 2010. a side >nino< is a dark experimental deep house. b side >manya< is a hi-tec detroit techno style!

this is the first production by kenneth christiansen, dj, producer and label boss of echocord. he teams up with his good friend dennis bog, which is known for his unique label baum and baum ltd plus his own productions as resoe.
>ofetriade< is a powerful techno-track, can remind of marcel dettmann and mathew jonson. the remix is made by ben klock from berlin, owner of klockworks and resident at berghain. amazing peaktime techno!
>synthese< is a mixture of dubstep and techno - for the fans of deadbeat, martyn and peverelist.

the voyeurhythm crew from london is doing their first record! ben sun, megadon betamax and hollywood nites deliver some shit hot slo-mo house and disco tracks that go somewhere ugly edits and mark e. crazy stuff that work very well. total killer is the b side cut by ben sun that covers the whole side. a incredible funky and rocking disco funk tune with crunchy 12-bit beats and a soul vocal give way to joyful swinging keys and a driving deep-disco groove. this sounds like one of the best kdj releases! recommended.

nice price deal !!! ifidotas production wizard and master of the studio tboy has just completed work on his first ep titled >full range< - out now for the debut release on new london based label ifidota music. the ep includes the track >kioto<, an outstanding tune building warmly with a full range of electronic music production. this track has interesting tech-house grooves and deliciously charged rhythms with infectious melodies throughout making this track a true dance floor essential! on the flip side, >schu_mann< brings tboys signature bouncy tech house energies to climax! including many playful twists and plenty of hypnotic builds. >right!< is another bouncy track with some friendly outer space flavours thrown in. this one is sure to get your shoulders shuffling giving the rest of your body no choice but to follow … this boy knows how to make music!

it s time to present maik s first ep on his label niveous records. after his releases on poker flat and karmarouge, he is back with a pack of fresh tunes for your club and home listening sound system. enjoy! early support by 2000 and one, someone else, simon baker, double d, alex niggemann, liapin, robert dietz,thomas schuhmacher, shur-i-kahn, nic fanculli, matthias meyer...

first time we have a pressing in stock of this incredible 1986 electro hit! instrumental and vocal version!

this is the first - and probably last - drug test you actually want!

from hearsay this shall coming from an unusual suspect, someone who maybe was involved in the making of the first compost release ever? dont know, but its soooo good, we couldnt resist to share this with you. enjoy this low slung ruff house versions of a true soul classic , like amé, mr trueby, c2, !!! and a delighted couple who already have heard or played it. promise: more joy than pain

back to funk is a first class peaktime bomb with a guarantee to blow up spots!!

first 12inch release under jamal moss new religion alter ego iamthatiam, a four track exploration of heavy tribal drums and spiritual dub atmospheres. peter gabriels passion ost and chain reaction were the inspiration, and its heavy on the late 80s techno industrial dance versus noise side.

brand new burns with awesome mixes from his majesty andre & the evergreen fred falke

the sound of the first nice cat release is a natural output from the joyous mess that villalobos and los updates churn out every time they book a studio . a marriage of dark humour and twisted four on the floor this record leaves some unanswered questions , wich is a good thing these looped-based days. the fiat 600 remix and the rather respectful audio george remix make this delicious treat a triple one.

after the huge success of their first single from hatikvah on baalsaal by the name of “modern times“, hatikvah is back with the title track of their upcoming album “synchronicity“. on a1 we find the original version of “synchronicity“. the deepness from second 1 struck us right away on this one. while the twittering of the birds accompany the groove, florian suddenly drops the first line and you can feel it – this is gonna be special indeed. the perfect song to get a sneak peak of the upcoming album due beginning next year.

alex comes to an end with the first series of releases on his imprint credo. ten outstanding records have been highly recognized as a contribution to the modern defintion of techno, contanst plays from the big names and there is no doubt that end of the bleepwill perform as well. again one track which is nothing else than techno for the real peaktimes, driving basslines and a modulating signal-tone to cook the floor up and down. the flipside with blablableepis kind of deep, very useful for the early or late hours on your set. take a deep breath, this is techno 2009 with clear roots to the golden times of the style. watch out for the remix-series on credo to come up in fall featuring remixes of selected artists...

first in a 12inch compilation series featuring new and old artists from the mathematics roster. sir katie, marcello, i.b.m. presents violence fm and olfyght. sir katies cover of tears for fears shout is the surprise, and the rest is more house, acid house and techno industrial on four tracks.

after the music components album, arnaud rebotini (blackstrobe) deliver the first ep from the new project music components rev 2 a collection of remixes by martini bros, donova or steve moore. you can find here some remixes by chloe, jesper dahlbäck, blackstrobe & xaver naudascher.

dj david vendetta returns with force releasing she turns around, the first official single of his new album! this dj adored by his faithful fans worldwide, proves to us the grandeur of his talent. the album which is due out the beginning of 2010 will display a plethora of very original hits in the house/pop/elektro genre. his first released exclusive title is influenced by rock/elektro and we show you with no reason of a doubt the creative evolution of david vendetta that willingly took quite some time to give the best of himself!

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù>love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù >love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

releasing >jeffer< as the first single is quite unsual regarding other power tracks that feature robot voices but who cares really anyway? berlin buddies modeselektor made their version of >jeffer< and themself say it sounds like the good days of audion when he is not so minimal - and they make it to the point. mdslktrs remix is a full on techno mix but playable for house or new rave djs as well. it extends every genres bouderies and presents a sound that everybody can meet at. on the flip you get para ones epic version which shows that he is still top of his game. after his classic remix for boys noize >my head< he answers >jeffer< with this banger. para one is pushing the good feeling of the original track to another level by adding new melodies and an epic breakdown in the middle of his mix. 2 killer remixes!

after his outstanding album debut christian naujoks is back withthe first of a 12 inch trilogy to be released on dial records. adoring the sound of pitched down pre-recorded strings dressed in deep, dub-styled echoes, east end boys is a song dedicated to to the raw and powerful sublimity of physical sounds. the song was created while naujoks was working on a live set for the akustic saloon at legendary berlin based berghain club in april 2009. overwhelmed by his flatmates live performance, lawrence decided to produce a remix of his favorite christian naujoks tune >bloom<, which appears on the flipside.

the boys i mean are not refined,
they speak whatever is on their mind,
do whatever is in their pants.
the boys i mean are not refined,
they shake the mountains when they dance.
- which i like.

we proudly present this new german hardcore label in our distribution: hardvolume records! this first, and powerful, release is presented by the new upcoming german talent in the hardcore industrial scene: stocker. for this 12 inch he combined forces with cyane, who is well known for his releases on vindicta records.on the a-side the boys kick off with >the new hate<, an uncompromising dark & rough industrial production full of brutally distorted bassdrums. the track comes in two stunning edits by both producers, both show the perspective of stocker & cyane on this raw industrial bomb! the flip side throws out two more heavy industrial tunes of which stockers >bitch< is already a favorite for many jocks in the industrial hardcore scene. great debut release for this young label which will leave the hardcore junkies excited for more, excellent 12 inch!

smashing guitar/drum combo drop their first release on eat concrete

this is the first release of aoki takamasa on raster-noton.
aoki was born 1976 in osaka and is presently resident in berlin, germany. he has been releasing music since 2001 and ever since has been reviewing his personal methodology whilst actively creating sounds based mainly on computer/software. aoki is an energetic artist vigorously expanding the limits of original musical expression. he enthusiastically pursues an expansive variety of techniques of expression via a broad array of software and hardware. the rhythm and groove created by driving the cpu to the max may seem extreme. however, the respect and the inquiring mind to the root existence of the art expression of music keeps flowing incessantly.

audio familys first releases were picked up with huge enthusiasm and sold many copies! now its time for a suitable follow up! the label is a platform for the best funky techno outings around and features a broad range of well-known producers. volume 4 combines an impressive set of artist from across the globe. in short: here is a prime time roller with the best of the best!

svetecs first solo release on the cannibal society! and what a burner! uncompromising hard techno with big beats, solid arrangement and basslines to die for. solid punishment of the mind with some chemical warfare aimed straight at the dancefloor. so take cover and hide, cause the cannibals are coming to hunt you down and theyre freaking hungry!

support by stephan bodzin, h.o.s.h, hugo, paco osuna, someone else, youandme, holger nielson, oliver klein, dj emerson.... incl. daniel steinberg remix.
nils ohrmann moved to berlin in the middle of the 90s, where he knew the rave culture was in full bloom- from e-werk to ostgut. he himself was a dj at the infamous schnabelbar in kreuzberg for eight years. since 2004 he has been a resident at rosis in friedrichshain. in may 2009 he made his first ep for hula hoop recordings (a sub-label of rompecabeza), which was a hit in the berlin clubs. coming up next is catalog number 2: >green sleeves<.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

clouded vision is turbo recordings and bugged out! resident matt walsh and partner, steve cook. after remixes for the likes of moby, cari lekebusch and brodinski on turbo, plus further releases for toob, we have band, king roc, johnny dynel and the golden filter to name a few, they now have their first full ep. neon rain is a slow tempo dark disco number and is backed with remixes from dissidents the niallist and astronomer. the niallist takes the track into space cosmic summerness and astronomer adds some big synth patterns, an emotional breakdown and even a rain sample. this is the first of a series of clouded vision releases with the upcoming outside ep with remixes from 4o thieves and photonz!

soulfuric is proud to present luis radio & raffa for their first release on the label. including remixes from alfred azzetto, ray jones and shane d.

supported by: anja schneider, ewan pearson, jimpster, laurent garnier, milton jackson, dj hell, john selway, okain, brett johnson, buschwaka, dj fex, mymy, john digweed, david pher, monika kruse, marco ressmann, funk d void, deetron, ...
the fantastic greek producer petros mangaranis aka echonomist returns to time has changed. after the success of his first release >hidden treasure<, he now comes at us with his latest, the >chute e.p.< with his modern vision of electronic music, echnomist expertly combines real instruments with machines, with wonderful results! >chute< is an endless summer track. with its alloping synth melody, it is deep, brillant, smart and so efficient on a dancefloor.

spectrum recordings returns after the summer months with a fantastic deep dark two tracker to take us into those shorter nights of the year from italian duo ascion & davide carbone. the a side >shaved< is a stripped down dubby groover, with eerie vocal stabs and spacey edits. this has a seriously tripped out vibe, which is perfect for the after hours, but still with more then enough punch to work at peak time, with some layered percussion or effects. the flip side >spectral town< is a minimal funky track, superbly produced and once again perfect for the after hours. a very cool and classy record from a label stamping its mark on the scene, and still only in its first year of releasing music. look out for future releases from ramon tapia, gui boratto and alan fitzpatrick. big things to come!

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

rufus is one the most interesting, innovative and versatile dj in ital. bosconi is proud to launch the alternative version of the label, called extra virgin, with his first official release!

the right is the first 7inch to be taken from lou barlows new domino album goodnight unknown. lou barlow, legendary member of dinosaur jr and founder of sebadoh and the folk implosion, releases his first new music in over three years. the new music recalls vintage lou - upbeat, yet always yearning and endearing, memorable songs to break your heart. the 500 copies only 7inch comes backed by non album b side author.

deep, funky and diverse releases for the club on vinyl only – tha s the idea behind barbara preisingers new label slices of life. the first release comes from berlin based producer betke who is a longtime companion in the electronic music scene. here, the 2 tracks reveal a whole world of warm and deep sounding beats that makes you move

>realtime art< - that s how blackisbeautiful call their electronic music art. an analogue idea within the digital age. inspired by the aesthetics of analogue music devices, the first album of the dortmund-based producer team will be released in september via the upcoming cologne-based techno label 200. blackisbeautiful partnered up at the vrstck club in dortmund two years ago. they bonded through their deep connection to analogue art. residency atvrstck and a musical and friendly collaboration were to follow. both look back at long-term musicianship and life experience. while tim dicke paved his way into the electronic scene through being a drummer, bassist and soloartist in punk and hardcore bands and later on as dj, Ümit han quickly moved from djing to producing his own tracks. in 2006, Ümit won the remix contest to gabriel anandas >glücksmelodie< and also released tracks on karmarouge, meerestief, harthouse and other labels. blackisbeautiful created two tracks in real handicraft with alerion and purpur: mesmerizing and enthralling at the same time! music that invites you to dance and yet puts you to rest for a closer listen. attention to detail and experiment-happiness get you addicted to blackisbeautiful: occasional street recordings of sounds in everyday life and sampling of snap-shots run through their dynamic sound images.